Nowhere does this conflict reach greater heights of exaggeration and entertainment than in Yorgos Lanthimos's latest and arguably best film, "Poor Things." Every aspect is delightfully peculiar, from the performances and dialogues to the production and costume design. Yet, at its essence, as often seen in the works of the Greek director, "Poor Things" delves into the discomfort of building authentic human connections.

The film revolves around the extraordinary narrative of Bella Baxter (played by Stone), a young woman resurrected by the brilliant and unconventional scientist Dr. Godwin Baxter (Willem Dafoe). Safeguarded by Baxter, Bella is eager to absorb knowledge. Yearning for worldly experiences, Bella embarks on a spontaneous journey with Duncan Wedderburn (Mark Ruffalo), a charismatic and indulgent lawyer, leading to a whirlwind adventure across continents. Unbound by the societal biases of her era, Bella solidifies her commitment to championing equality and liberation.


Poor Things (2023) - UNCUT

Reuniting with Lanthimos once again after "The Favourite," Emma Stone delivers a career-defining performance in a role that demands an extraordinary level of skill. Stone showcases remarkable technical precision in her comedic portrayal, particularly in capturing the character's childlike beginnings. As the character evolves into a sexually liberated woman, Stone's performance becomes utterly captivating and commanding. Her immense likability swiftly draws the audience to her side, even when portraying an impudent brat. Throughout the narrative, Stone keeps us invested in her character, rallying support despite the growing challenges of patriarchal oppression.

"Poor Things," set to be released by Searchlight Pictures, will debut in select theaters on Friday and expand to a wider release on December 22. The Motion Picture Association has given it an R rating, citing reasons such as "gore, disturbing material, graphic nudity, language, and strong sexual content."